"Anna Farysej, in the role of the Governess, delivers an extraordinary display of her skills, singing with great sensitivity, depending on the progression of the action – sometimes with delicacy and radiance, at other times with velvety strength and trembling. After a dramatic entrance in the Prologue, where she is accompanied by dancer Gieorgij Grzegorz Puchalski, who brilliantly conveys the unsettling nature of the partner’s thoughts and feelings, she appears composed, even somewhat subdued, only to gradually increase her ambiguity as the action unfolds. This shows full technical control and a realistic acting performance, which is no small feat." ​https://e-teatr.pl/koniec-niewinnosci-czyli-wytrawny-thriller-operowy-w-polskiej-operze-krolewskiej-30912

"The stunning performance of the soprano, the precision of intonation, the refined means of expression, the mature interpretation constitute the high level of the artistic work." ​https://chopin.edu.pl/uploaded_files/1726801126_1726743820anna-fabrello-recenzja-pracy-doktorskiej-anny-fary.pdf

"The excellent actress, delicately lost Anna Farysej, in the role of the Governess, used her sweet and beautiful soprano. Vocally, she was confident and at ease, effectively portraying the character’s instability and skillfully using, at many moments, a singing technique on the verge of tearing and crying, but also beautiful piano and well-controlled forte." ​https://orfeo.com.pl/dokrecanie-sruby-w-pok/

"However, the "show" was stolen by Anna Farysej as Despina – what comedic power, what lightness!"​https://prestizszczecin.pl/sites/default/files/2018/03/szn113.pdf